The World’s End

Weltende

A poem from 1905.
Weltende
Es ist ein Weinen in der Welt, Als ob der liebe Gott gestorben wär, Und der bleierne Schatten, der niederfällt, Lastet grabesschwer. Komm, wir wollen uns näher verbergen … Das Leben liegt in aller Herzen Wie in Särgen. Du, wir wollen uns tief küssen - Es pocht eine Sehnsucht an die Welt, An der wir sterben müssen.
The World’s End
In the world there is wailing, God seems to be dead: A shadow is falling As heavy as lead. Great load of the tomb: Cling close to me, come, Let’s kiss deep, you and I: In hearts as in coffins All living things lie. The world throbs with craving, Of which we must die
https://www.youtube.com/watch?v=oikhRBcYFm4

Translation: Copyright © Timothy Adès

Poplars not far from Oxford

The Binsey Poplars

Gerard Manley Hopkins

'Not since the Binsey Poplars, those Hopkins-harrowing topplers, Fell or were felled by the fiend of eld that wishes old England ill...'
The Binsey Poplars
My aspens dear, whose airy cages quelled, Quelled or quenched in leaves the leaping sun, All felled, felled, are all felled; Of a fresh and following folded rank Not spared, not one That dandled a sandalled Shadow that swam or sank On meadow & river & wind-wandering weed-winding bank. O if we but knew what we do When we delve or hew — Hack and rack the growing green! Since country is so tender To touch, her being só slender, That, like this sleek and seeing ball But a prick will make no eye at all, Where we, even where we mean To mend her we end her, When we hew or delve: After-comers cannot guess the beauty been. Ten or twelve, only ten or twelve Strokes of havoc unselve The sweet especial scene, Rural scene, a rural scene, Sweet especial rural scene.
Poplars not far from Oxford
My poplars! You with airy grids thick-grown To chloroform with chlorophyll Sir Sun, Him bounding, you now all cut down, cut down; Yours was a vigorous and tight-knit rank, To nought now, no, you shrank, That swung a so low-slung Shadow that swam or sank On turf and brook and wind-wild woodbin’d bank. O did you and I but know how to stop Who dig and chop – Hack and rack all things that natural grow! So soft is country’s naturism To touch, inasmuch as lissom – Just so, this smooth and sighting ball: But a prick, and it’s not optical – Where we, even where we pretend We’d mend her, we end her, When we delve, when we hew: Today, tomorrow, coming folk won’t know How much glory has had to go. Just six and six, or six and two and two Struck blows of havoc could undo That singular most mystic Vista rustic, vista rustic, That vista rustic, oh, most mystic.
'Let's see whether he needed the letter E.' Yes, these verses here'll be E-less - except the segment where he entered twelve E's, then seven yet: he preferred these letters themselves.

Translation: Copyright © Timothy Adès

More poems by Gerard Manley Hopkins...

The Butterfly

Le papillon

Robert Desnos (1900-45)

In Storysongs/Chantefables from Agenda Editions
Le papillon
Trois cent millions de papillons Sont arrivés à Châtillon Afin d’y boire du bouillon, Châtillon-sur-Loire, Châtillon-sur-Marne, Châtillon-sur-Seine. Plaignez les gens de Châtillon! Ils n’ont plus d'yeux dans leur bouillon Mais des millions de papillons. Châtillon-sur-Seine, Châtillon-sur-Marne, Châtillon-sur-Loire.
The Butterfly
Butterflies in billions Browse on broths of brilliance, Bouillons of ebullience Brewed by Newcastilians, Some Upon Tyne, some-under-Lyme, Britons! and Australians: Poms! and New South Walians. Bellow! Newcastilians, Some Upon Tyne, some-under-Lyme, Britons! and Australians: Poms! and New South Walians. Barely barley brilliance In your broths’ ebullience, But butterflies in billions, Papilionaceous aliens.

Translation: Copyright © Timothy Adès

More poems by Robert Desnos...

I live in “Perhaps”

Ich lebe im "Vielleicht"

Emmy Ball-Hennings (1888-1948)

Ich lebe im "Vielleicht"
Ich lebe im „Vielleicht“, Bin eine stumme Frage Und alles ist mir Sage, Soweit Gedanke reicht. O komm, geliebtes Schweigen, Und hüll mich zärtlich ein. Wird alles anders sein, Will ich mich tiefer neigen.
I live in “Perhaps”
I live in “Perhaps”, I’m just a mute query: All things are a story Till Thought overlaps. Come, lovable Silence, With tender embrace: Transform! I’ll abase To deeper obeisance.

Translation: Copyright © Timothy Adès

More poems by Emmy Ball-Hennings...

Faiths and Creeds, what good to me?

Ach, was soll mir all Bekennen

Emmy Ball-Hennings (1888-1948)

Ach, was soll mir all Bekennen
Ach, was soll mir all Bekennen, Schönes Schweigen, hüll mich ein. Trunken in mir selber brennen, Will ich Rausch und Säule sein. Wort und Namen – wozu nennen? Nicht mehr hören, nicht mehr sehn, Wenn des Lebens bunte Chöre Klingend mir vorüberwehn. Nur die Siegel mögen brennen Tief in meiner Seele Grund. Daß ich Katakombe wäre, Flamme, Gold und Gottesmund . . .
Faiths and Creeds, what good to me?
Faiths and creeds, what good to me? Lovely Silence, swaddle me. Scorched within me, drunkenly, A pillar wild with wine I’ll be. Wherefore utter name or word? Nothing more I’ll hear and see, When life’s joyous choirs are heard Wafting music over me. Let the seals with wax be seared In my soul’s profundity. Flame and gold I would become, Mouth of God, and catacomb.

Translation: Copyright © Timothy Adès

More poems by Emmy Ball-Hennings...

for Hugo Ball

für Hugo Ball

Emmy Ball-Hennings (1888-1948)

für Hugo Ball
Oktaven taumeln Echo nach durch graue Jahre. Hochaufgetürmte Tage stürzen ein. Dein will ich sein - Im Grabe wachsen meine gelben Haare Und in Holunderbäumen leben fremde Völker Ein blasser Vorhang raunt von einem Mord Zwei Augen irren ruhelos durchs Zimmer Gepenster gehen um beim Küchenbord. Und kleine Tannen sind verstorbene Kinder Uralte Eichen sind die Seelen müder Greise Die flüstern die Geschichte des verfehlten Lebens. Der Klintekongensee singt eine alte Weise. Ich war nicht vor dem bösen Blick gefeit Da krochen Neger aus der Wasserkanne, Das bunte Bild im Märchenbuch, die rote Hanne Hat einst verzaubert mich für alle Ewigkeit.
for Hugo Ball
Octaves go whirling echoes through grey years. Days tumble down heaped up in lofty towers. Let me be yours. Still growing in the grave my yellow hairs And foreign tribes lnhabit elder-trees Pale curtain whispers murder is the word Two eyes roam restlessly across the room And spectres circle at the kitchen-board. Small fir-trees too are children who have died And ancient oaks are souls of weary crones Who mutter histories of lives that failed. Lake Klintekongen sings an age-old tune. The evil eye I never was immune The water-cans were full of Africans Storybook picture bright Red Hannah she Bewitched me once for all eternity.
Portrait by Lon Parker

Translation: Copyright © Timothy Adès

More poems by Emmy Ball-Hennings...

Summer's End

Sommers Ende

Hermann Hesse (1877-1962)

Sommers Ende
Gleichtönig, leis und klagend rinnt Den lauen Abend lang der Regen, Hinweinend wie ein müdes Kind Der nahen Mitternacht entgegen. Der Sommer, seiner Feste müd, Hält seinen Kranz in welken Händen Und wirft ihn weg -- er ist verblüht -- Und neigt sich bang und will verenden. Auch unsre Liebe war ein Kranz Auflodernd heißer Sommerfeste, Nun löst sich sacht der letzte Tanz, Der Regen stürzt, es fliehn die Gäste. Und eh wir der verwelkten Pracht Und der erloschenen Glut uns schämen, Laß uns in dieser ernsten Nacht Von unsrer Liebe Abschied nehmen.
Summer's End
Dreary rain, complaining, mild Through the evening drear Whining like a weary child, Midnight drawing near. Summer wearies of his feasts, Drooping hand drops wilted wreath, Sadly bending, gladly ending. And our love, another wreath, Flared in heat of summer’s feasts: Last dance gently dissipates, Pouring rain and fleeing guests. Splendour’s blighted: quenched, the blaze: Unashamed that times were bright, Let us in this earnest night Leave our love and go our ways.

Translation: Copyright © Timothy Adès

More poems by Hermann Hesse...

Butterfly and Rose

Schmetterling und Rose

Heinrich Heine (1797-1856)

Schmetterling und Rose
Der Schmetterling ist in die Rose verliebt, Umflattert sie tausendmal, Ihn selber aber, goldig zart, Umflattert der liebende Sonnenstrahl. Jedoch, in wen ist die Rose verliebt? Das wüßt ich gar zu gern. Ist es die singende Nachtigall? Ist es der schweigende Abendstern? Ich weiß nicht, in wen die Rose verliebt; Ich aber lieb euch all': Rose, Schmetterling, Sonnenstrahl, Abendstern und Nachtigall.
Butterfly and Rose
The butterfly flutters a thousand times around the rose he loves, and round the butterfly tenderly the golden sunbeam roves. But this I would gladly, gladly know: who does the rose desire? Is it the singing nightingale or the silent evening star? I know not who is the rose’s love, but I love all of you: rose and butterfly, evening star, nightingale, sunbeam too.
Videos: a child, a soprano, a baritone

Translation: Copyright © Timothy Adès

More poems by Heinrich Heine...