I saw a Jolly Huntsman

I saw a Jolly Hunter

Charles Causley (1917-2003)

I saw a Jolly Hunter
I saw a jolly hunter With a jolly gun Walking in the country In the jolly sun. In the jolly meadow Sat a jolly hare. Saw the jolly hunter. Took jolly care. Hunter jolly eager - Sight of jolly prey. Forgot gun pointing Wrong jolly way. Jolly hunter jolly head Over heels gone. Jolly old safety catch Not jolly on. Bang went the jolly gun. Hunter jolly dead. Jolly hare got clean away. Jolly good, I said.
I saw a Jolly Huntsman
I saw a jolly huntsman With a jolly gun, Savouring a country Walk in jolly sun. On a jolly grassy knoll Jolly rabbit sat, Saw your jolly huntsman, Didn't fancy that. Huntsman jolly champing, Marksmanship in play, Forgot gun was pointing Wrong jolly way. Huntsman topsy-turvy, Hyst'ron-protty-ron, Jolly ward-lock guard-catch Not jolly on. Bang, jolly gunshot! Huntsman jolly laid Out for good. Fur got away. Jolly good, I said.

Translation: Copyright © Timothy Adès

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That Road, I Trod It Not

The Road Not Taken

Robert Frost (1874-1963)

He never needed the letter E !
The Road Not Taken
Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I — I took the one less traveled by, And that has made all the difference.
That Road, I Trod It Not
Two roads! At a fork in an autumn wood I was sorry I could not go down both Without bifurcating. Long I stood looking down road X as far as I could till it slank out of sight in that sylvan growth. And I took road Y, which could turn a trick, Alluring, and angling for priority, That is, it was grassy and in good nick, Though I must say footfall and walking-stick Had worn both roads with comparability. And both that morning similarly lay Intact, no taint of any trampling black. I put off Road X for a distant day, Though, knowing how way links up with way, I hardly thought that I would go back. I shall spout this story and I shall sigh, Who knows how soon, or in what locality: Two roads at a fork in a wood, and I – Shunning busy road X, I took road Y! – With what upshot? A thoroughgoing dissimilarity!
The story behind this poem: 'Robert Frost's "The Road Not Taken" is both humorous and ironic, reflecting the poet's playful side. In the early 20th century, Frost became close friends with the English writer Edward Thomas. They often took long walks together through the countryside, where Thomas would frequently express regret over not choosing a different path once they had gone a certain way. Frost, amused by Thomas's indecision and tendency to second-guess himself, decided to write a poem as a gentle parody of his friend. 'In 1915, Frost penned "The Road Not Taken," intending it as a playful mockery of Thomas’s indecisiveness. The poem's narrator stands at a fork in the woods, choosing one path over another, only to later claim that the choice made "all the difference," despite the paths being equally worn. Frost sent the poem to Thomas, expecting his friend to catch the humor. However, Thomas did not realize that the poem was meant to be lighthearted and instead interpreted it as a serious reflection on choice and consequence. This misunderstanding disappointed Frost but also deepened the poem’s legacy, as it highlighted how easily people can misconstrue intentions based on their perspectives. 'Interestingly, this poem, which Frost intended as a joke, became one of his most famous and is often quoted as an inspiring message about individualism and the significance of choices in life. Yet, Frost’s original intent was more about poking fun at the human tendency to overthink and attribute deep meaning to decisions that, in hindsight, may not have been as significant as we believe. 'This story not only sheds light on the poem’s true meaning but also adds a layer of irony, as the world continues to interpret the poem in a way that differs from Frost’s original playful intent.'

Translation: Copyright © Timothy Adès

More poems by Robert Frost (1874-1963)...

Dust of Snow

Dust of Snow

Robert Frost (1874-1963)

Let's see whether he needed the letter E.
Dust of Snow
The way a crow Shook down on me The dust of snow From a hemlock tree Has given my heart A change of mood And saved some part Of a day I had rued.
Dust of Snow
I'm glad that a crow shook down just now my dusting of snow from a poison-bough: a try-again start transforming my mood, and saving a part of a day not good.

Translation: Copyright © Timothy Adès

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Who was that? By Wally d l M.

Some One

Walter de la Mare (1873-1956)

Let’s see whether he needed the letter E.
Some One
Some one came knocking At my wee, small door; Someone came knocking; I'm sure-sure-sure; I listened, I opened, I looked to left and right, But nought there was a stirring In the still dark night; Only the busy beetle Tap-tapping in the wall, Only from the forest The screech-owl's call, Only the cricket whistling While the dewdrops fall, So I know not who came knocking, At all, at all, at all.
Who was that? By Wally d l M.
Who was that knocking At my dainty door? That was a knocking That I’m vouching for; Hark, hark, unlatch, unlatch, Look this way and that! But nought was a stirring, All was black as your hat; Only a busy bug Tapping in a wall, Only from woodland A shrill owl’s call, And Jiminy’s whistling As dawndrops fall, So I know not who was knocking, At all, at all, at all.

Translation: Copyright © Timothy Adès

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If you can Sob

If you have Tears

William Shakespeare (1564-1616)

Let's see whether he needed the letter E.
If you have Tears
If you have tears, prepare to shed them now. You all do know this mantle. I remember The first time ever Caesar put it on. ’Twas on a summer’s evening in his tent, That day he overcame the Nervii. Look, in this place ran Cassius’ dagger through. See what a rent the envious Casca made. Through this the well-belovèd Brutus stabbed, And, as he plucked his cursèd steel away, Mark how the blood of Caesar followed it, As rushing out of doors to be resolved If Brutus so unkindly knocked or no; For Brutus, as you know, was Caesar’s angel. Judge, O you gods, how dearly Caesar loved him! This was the most unkindest cut of all. For when the noble Caesar saw him stab, Ingratitude, more strong than traitors’ arms, Quite vanquished him. Then burst his mighty heart, And, in his mantle muffling up his face, Even at the base of Pompey’s statue (Which all the while ran blood) great Caesar fell. O, what a fall was there, my countrymen! Then I and you and all of us fell down, Whilst bloody treason flourished over us. O, now you weep, and I perceive you feel The dint of pity. These are gracious drops. Kind souls, what, weep you when you but behold Our Caesar’s vesture wounded? Look you here, (Antony lifts Caesar’s cloak.) Here is himself, marred as you see with traitors.  
If you can Sob
If you can sob, stand by to do so now. You all do know this blouson: I look back to That first occasion Julius put it on: ‘Twas in July at twilight in his camp, That day of martial triumph by Namur…. Look at this gap that Cassius’ dirk ran through. Look what a gash invidious Casca dug; Through this, look! darling Brutus stuck his shiv, And, as his loathly sharp was drawn away, Mark you how Julius’ blood, pursuing it, Shot rushing out of doors, to find this out, If Brutus so unkindly rang, or no; For Brutus, as you know, was Julius’crush: Quantify, O you gods, how fond of him Julius was. This was a cut unkind, And singularly so. As Julius, So upright, saw him stab, what got him down Was not just traitors’ arms. A total lack Of thankful thinking laid him low, and burst His mighty mainspring. Muffling up his phiz Within his coat, right by Sir Magnus’s Statuary, or its plinth, which ran throughout With blood, down Julius falls. O what a fall Was that, my good compatriots! You and I And all our crowd brought low, whilst riding high Was bloody traitors’ triumph, flourishing. O, now you sob; that’s how I know you got Struck hard by pity’s dint. What gracious drops! Kind souls, what, do you sob and only scan Wounds upon Julius' garb? Just look at this! (Antony lifts J.C.’s cloak.) It’s actually him, whom traitors hurt.
See also my Latin translation.

Translation: Copyright © Timothy Adès

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