Androgyne

Andrógino

Amado Nervo (1870-1919)

Andrógino
  Por ti, por ti, clamaba cuando surgiste, infernal arquetipo, del hondo Erebo, con tus neutros encantos, tu faz de efebo, tus senos pectorales, y a mí viniste.   Sombra y luz, yema y polen a un tiempo fuiste, despertando en las almas el crimen nuevo, ya con virilidades de dios mancebo, ya con mustios halagos de mujer triste.   Yo te amé porque, a trueque de ingenuas gracias, tenías las supremas aristocracias: sangre azul, alma huraña, vientre infecundo;   porque sabías mucho y amabas poco, y eras síntesis rara de un siglo loco y floración malsana de un viejo mundo.
Androgyne
Infernal archetype! I cried to you… From Hades’ lowest place, your neuter charms, ephebic face, light-muscled breasts, rose to my side. You, bud and pollen, light and shade, roused souls to novel infamy: a callow god’s virility, the stale endearments of a jade. No grace, no goodness: none of that. I loved the arch-aristocrat, blue blood, wild spirit, barren womb: you knew the more, you loved the less, adding a Zeitgeist’s recklessness to an old world’s unwholesome bloom.

Translation: Copyright © Timothy Adès

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In Peace

En Paz ~ Artifex vitae, artifex sui

Amado Nervo (1870-1919)

Craftsman of Life, Craftsman of the Self
En Paz ~ Artifex vitae, artifex sui
Muy cerca de mi ocaso, yo te bendigo, Vida, porque nunca me diste ni esperanza fallida, ni trabajos injustos, ni pena inmerecida; porque veo al final de mi rudo camino que yo fui el arquitecto de mi propio destino; que si extraje la miel o la hiel de las cosas, fue porque en ellas puse hiel o mieles sabrosas: cuando planté rosales coseché siempre rosas. Cierto, a mis lozanías va a seguir el invierno: ¡mas tú no me dijiste que mayo fuese eterno! Hallé sin duda largas las noches de mis penas; mas no me prometiste tan sólo noches buenas; y en cambio tuve algunas santamente serenas… Amé, fui amado, el sol acarició mi faz. ¡Vida, nada me debes! ¡Vida, estamos en paz!
In Peace
Very near my sunset My blessings on you, Life, Because you never told me Of hopes that would deceive Nor of unjust labours Nor undeserving grief. For I see at the finish Of my uneven journey That I was the designer Deviser of my destiny; I drew out gall or honey As much as I inserted: If rosebushes I planted, Then roses were my harvest. For sure my horn of plenty Will soon give way to winter, But then you never told me That May would last for ever! Certainly I encountered Long nights, my nights of sorrow: But then you never promised My nights would all be good ones; Some were a benediction… I loved and I was loved, The sun caressed my face. Life, you owe me nothing! Life, we are at peace!

Translation: Copyright © Timothy Adès

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For the Fallen

For the Fallen

Laurence Binyon

For the Fallen
With proud thanksgiving, a mother for her children, England mourns for her dead across the sea. Flesh of her flesh they were, spirit of her spirit, Fallen in the cause of the free. Solemn the drums thrill: Death august and royal Sings sorrow up into immortal spheres. There is music in the midst of desolation And a glory that shines upon our tears. They went with songs to the battle, they were young, Straight of limb, true of eye, steady and aglow. They were staunch to the end against odds uncounted, They fell with their faces to the foe. They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them. They mingle not with their laughing comrades again; They sit no more at familiar tables of home; They have no lot in our labour of the day–time; They sleep beyond England’s foam. But where our desires are and our hopes profound, Felt as a well–spring that is hidden from sight, To the innermost heart of their own land they are known As the stars are known to the Night; As the stars that shall be bright when we are dust, Moving in marches upon the heavenly plain, As the stars that are starry in the time of our darkness, To the end, to the end, they remain. Poem by Robert Laurence Binyon (1869–1943), published in The Times newspaper on 21st September 1914.
For the Fallen
mater agit grates et honores Anglia reddit, dum gemit occisos trans maris alta suos. hoc genus, hic genius patriae: male passa tyrannos mater, et his eadem causa suprema fuit. funere ab augusto cantatur in aetheris arces nenia; sollemni tympana voce sonant; audimus medio coelestia carmina luctu, et mira in lacrimis gloria luce nitet. ad pugnam egreditur iuvenum cum cantibus agmen; stat robur membris, lucet in ore fides; intrepidique ultro, veniant si milia contra, hostibus adverso comminus ore cadunt. non illos poterit ceu nos vexare senectus, non anni fessis imposuisse notam. illorum memores cernemus condere solem lumen, item prima luce rubere polum. quos nec ridentes cari comitantur amici, nec iamiam retinent mensa, cubile, domus: nec datur his operis nostri pars ulla diurni, sed procul a patriae litore, grata quies. at qua surgit amor nobis, quibus orta profundis spes similis caecae condita fontis aquae, noverit hos penitusque fovens in pectore condet patria, ceu nocti sidera nota, suos. hi, cum nos erimus pulvis, velut astra nitebunt, quae carpent caeli per loca rite vias; sidera uti splendent, ubi nos premit hora tenebris, perpetua haec durat luce corusca cohors.
An homage to Laurence Binyon and to all those who fell in the Great War and in subsequent wars.

Translation: Copyright © Timothy Adès

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Roaming

Ich wandere

Peter Baum (1869-1916)

Ich wandere
Ich wandre und kenne nicht Zeit noch Raum Und lächle ins Leben, als sei es ein Traum, In wehenden Gärten, die Dämmerung umflicht – Ich staun’ wie ein Kind in das zitternde Licht. – Sie sagen, ich altere Jahr um Jahr, Mir welke die Wange, mir bleiche das Haar, Am Ende des Weges, da harre der Tod, Weiß nicht, ob er lächelt, weiß nicht, ob er droht. So wandre ich, wandre ich Nacht und Tag Wolken Sternen und Schatten nach.
Roaming
I reck not of time and of space as I roam, I chuckle at life as it might be a dream. In gardens of winds where the twilight weaves, I stare like a child at the moon-glitter’s waves. They say I grow older as year follows year, My cheek ever dimmer and whiter my hair: At the end of my road it is death who awaits, Don’t know if he’s smiling or uttering threats. And so I stray onward through midnights and days, I follow the shadows, the clouds and the stars.

Translation: Copyright © Timothy Adès

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Categories
French

(From) Christmas Marching Song

Paul Claudel (1868-1955)

Translated by Timothy Adès

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Entrückung

Ecstasy

Stefan George (1868-1933)

Ecstasy
Ich fühle luft von anderem planeten. Mir blassen durch das dunkel die gesichter Die freundlich eben noch sich zu mir drehten. Und bäum und wege die ich liebte fahlen Dass ich sie kaum mehr kenne und du lichter Geliebter schatten—rufer meiner qualen-- Bist nun erloschen ganz in tiefern gluten Um nach dem taumel streitenden getobes Mit einem frommen schauer anzumuten. Ich löse mich in tönen, kreisend, webend, Ungründigen danks und unbenamten lobes Dem grossen atem wunschlos mich ergebend. Mich überfährt ein ungestümes wehen Im rausch der weihe wo inbrünstige schreie In staub geworfner beterinnen flehen: Dann seh ich wie sich duftige nebel lüpfen In einer sonnerfüllten klaren freie Die nur umfängt auf fernsten bergesschlüpfen. Der boden schüffert weiss und weich wie molke. Ich steige über schluchten ungeheuer. Ich fühle wie ich über letzter wolke In einem meer kristallnen glanzes schwimme-- Ich bin ein funke nur vom heiligen feuer Ich bin ein dröhnen nur der heiligen stimme.
Entrückung
This air I feel comes from another planet. Those friendly faces, turned in my direction Not long ago, now into darkness vanish; And trees and paths I loved are faint – I hardly Know them now. You, by whom all my affliction Is summoned up, you loved and shining shadow, Are now entirely dimmed in a profounder Glow, gone the roaring and tumultuous hazard: I apprehend it with a reverent shudder. I am dissolved in sounds all swirling, weaving, Of nameless praise and gratitude unmeasured; I have no wish, to the great breath I surrender. There passes over me a furious blowing; I hear the fervent cries of praying women, Prone in the dust and seized in pious rapture: And then I see the hazy mist ascending In an expanse all sunlit, clear, and open, Which alone reaches to the furthest mountains. The ground is white and soft with milky tremors. I soar above ravines, uncouth, enormous. I seem to be above the highest nimbus, I float upon a sea of crystal shimmers. I am a sparkle of the holy fire, A roaring of the holy voice: no more.
With acknowledgements to an earlier translator, Carl Engel. Set to music by Arnold Schönberg in his String Quartet no. 2 with soprano, Op. 10.

Translation: Copyright © Timothy Adès

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My white macaws

Meine weissen ara

Stefan George (1868-1933)

Meine weissen ara
Meine weissen ara haben safrangelbe kronen · Hinterm gitter wo sie wohnen Nicken sie in schlanken ringen Ohne ruf ohne sang · Schlummern lang · Breiten niemals ihre schwingen -- Meine weissen ara träumen Von den fernen dattelbäumen.
My white macaws
My white macaws have saffron crests · Behind the grille around their nests They snooze in insubstantial rings No cry no song · Their sleep is long · They never spread their swings – And each one, dreaming, meditates On far-off palms and distant dates.
(from Das Buch der hängenden Gärten)

Translation: Copyright © Timothy Adès

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Le Cid

Le Cid

GEORGES FOUREST (1867-1945)

Le Cid
Le palais de Gormaz, comte et gobernador, est en deuil : pour jamais dort couché sous la pierre l'hidalgo dont le sang a rougi la rapière de Rodrigue appelé le Cid Campeador. Le soir tombe. Invoquant les deux saints Paul et Pierre Chimène, en voile noire, s'accoude au mirador et ses yeux dont les pleurs ont brûlé la paupière regarde, sans rien voir, mourir le soleil d'or... Mais un éclair, soudain, fulgure en sa prunelle : sur la plaza Rodrigue est debout devant elle ! Impassible et hautain, drapé dans sa capa, le héros meurtrier à pas lents se promène : - Dieu! soupire à part soi la plaintive Chimène, qu'il est joli garçon l'assassin de Papa !
Le Cid
There is death at Count Gormaz the Governor’s hall: beneath the cold capstone for ever is laid the hidalgo whose blood has just reddened the blade of Rodrigo the Cid, greatest champ of them all. Black-draped on the mirador – evening must fall – Chimène is entreating Saints Peter and Paul. Her eyes are all fiery with tears as she prays: she watches, unseeing, the last golden rays. But suddenly lightning has flashed in her face! In his cape in the plaza below her he stands, impassive and haughty, with blood on his hands! The hero goes strolling at moderate pace, and Chimène turns aside to sigh wistfully, “La! What a good-looking fellow has butchered papa!”

Translation: Copyright © Timothy Adès

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The Thrush and the Peacock

El zorzal y el pavo real

Rubén Darío (1867-1916)

El zorzal y el pavo real
Ve un zorzal a un pavo real que se esponja y gallardea; le mira la pata fea y exclama:- “¡Horrible animal!” sin ver la pluma oriental, el pájaro papanatas. Gentes que llaman sensatas son otros tantos zorzales: cuando encuentran pavos reales sólo les miran las patas. ‘Yo soy Nicaraguense y la historia de como nace este poema cuentan, que fue en un mesón. Todo un pueblo se había reunido para dar la bienvenida a Ruben Darío ya adentro del mesón llega una señora de alta sociedad se acerca a uno de los presentes y le pregunta ?ya vino Ruben Darío? a lo cual el hombre le contesta, ¡si¡ el es Rubén Darío, la mujer muy desepcionada le dice: ¡huy, ese es Ruben Darío? lo cual logra escucharlo el y le responde creando esos versos.’
The Thrush and the Peacock
A thrush sees a peacock put up its feathers, a beautiful feature, but looks at its ugly foot, and cries 'What a horrible creature!' - the eastern plumage is not observed by the bird, poor clot. People too mean with words are like thrushes, pitiful birds, who do nothing if they meet a peacock, but look at its feet. ‘I am Nicaraguan and here’s the story of this poem’s origin. A whole village had assembled in a tavern to welcome Ruben Darío. He was already there when a high society lady approached someone present and asked: Has Ruben Darío come yet? The man replied: Yes, that’s Ruben Darío. The woman, very disappointed, said: Pooh, is that Ruben Darío? Which he heard, and responded by composing these lines.’

Translation: Copyright © Timothy Adès

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Contrerimes

Contrerimes

Paul-Jean Toulet (1867-1920)

Contrerimes
En Arles Dans Arles, où sont les Aliscans, Quand l’ombre est rouge, sous les roses, Et clair le temps, Prends garde à la douceur des choses. Lorsque tu sens battre sans cause Ton coeur trop lourd; Et que se taisent les colombes: Parle tout bas, si c’est d’amour, Au bord des tombes. Toute allégresse a son défaut Et se brise elle-même. Si vous voulez que je vous aime; Ne riez pas trop haut. C'est à voix basse qu'on enchante Sous la cendre d'hiver Ce coeur, pareil au feu couvert, Qui se consume et chante.
Contrerimes
The Alyscamps Sunshine, rose-shade, sweetness, take note: your heavy heart senselessly booms. Silent, the dove. Speak low of love amid the tombs. All joys are flawed And fall apart. Don’t laugh too loud: Rouse my desire. Softly inspire, Singing under Winter’s cinders Like covered fire, A burning heart.

Translation: Copyright © Timothy Adès

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