Remembered

Erinnerung

Ricarda Huch (1864-1947)

Erinnerung
Einmal vor manchem Jahre War ich ein Baum am Bergesrand, Und meine Birkenhaare Kämmte der Mond mit weißer Hand. Hoch übern Abgrund hing ich Windbewegt auf schroffem Stein, Tanzende Wolken fing ich Mir als vergänglich Spielzeug ein. Fühlte nichts im Gemüte, Weder von Wonne, noch von Leid, Rauschte, verwelkte, blühte, In meinem Schatten schlief die Zeit.
Remembered
When I was a birch-tree, in some bygone year, Sister Moon white-handed used to comb my hair. Clinging to the cliff-edge, bending to the breeze, I caught clouds a-dancing, played awhile with these. Never felt emotions, neither joy nor sorrow, rustled, faded, blossomed: Time slept in my shadow.

Translation: Copyright © Timothy Adès

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Farewells

Adieux

Henri de Régnier (1864-1936)

Adieux
Il est de doux adieux au seuil des portes Lèvres à lèvres pour une heure Ou pour un jour ; Le vent emporte Le bruit des pas qui s'éloignent de la demeure, Le vent rapporte Le bruit des pas du bon retour ; Les voici qui montent les marches De l'escalier de pierre blanche ; Les voici qui s'approchent. Tu marches Le long du corridor ou frôle Au mur de chaux le coude de ta manche Ou ton épaule ; Et tu t'arrêtes, je te sens Derrière la porte fermée ; Ton cœur bat vite et tu respires Et je t'entends, Et j'ouvre vite à ton sourire La porte prompte, ô bien aimée ! Il est de longs adieux au bord des mers Par de lourds soirs où l'on étouffe ; Les phares tournent déjà dans le crépuscule ; Les feux sont clairs. On souffre. La vague vient, déferle, écume et se recule Et bat la coque de bois et de fer ; Et les mains sont lentes dans l'ombre A se quitter et se reprennent. Le reflet rouge des lanternes Farde un présage en sang aux faces incertaines De ceux qui se disent adieu aux quais des mers Comme à la croix de carrefours, Comme au tournant des routes qui fuient Sous le soleil ou sous la pluie, Comme à l'angle des murs où l'on s'appuie, Ivre de tristesse et d'amour ; En regardant ses mains pour longtemps désunies Ou pour toujours…
Farewells
Sweet farewells at the door; Lips to lips for an hour Or for a day; Wind hales away The sound of steps retreating; And will restore Them, back in happy meeting: Climbing the white stone stair, Yes, here they come: you walk Along the corridor, Whose wall rubs chalk On your sleeve, elbow, shoulder; You halt, I sense you here At the closed door; Your heart beats fast, You breathe - I hear, I open up in haste: You smile and I adore, My darling dear! Lengthy farewells beside the seas, On stifling heavy nights; Sweeping the dusk, bright harbour-lights; The grieving. Waves breaking, foaming, heaving, Strike iron and wood of hull; Shadowy hands, unwilling, leaving Each other, linking still. Red glow of lamps forewarns, Daubs blood on doubting glances Of those who part on oceans’ bourns As when two highways cross, Or roads that turn and run Now in rain, now in sun, Corners of walls on which we lean, Grief-racked, love-lorn, Gazing on hands long-leaving, or For evermore…
Set to music by Albert Roussel

Translation: Copyright © Timothy Adès

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I just saw the wind

Jüngst sah ich den Wind

Arno Holz (1863-1929)

Jüngst sah ich den Wind
Jüngst sah ich den Wind, das himmlische Kind, als ich träumend im Walde gelegen, und hinter ihm schritt mit trippelndem Tritt sein Bruder, der Sommerregen. In den Wipfeln da ging′ s nach rechts und nach links, als wiegte der Wind sich im Bettchen; und sein Brüderchen sang: »Die Binke, die Bank,« und schlüpfte von Blättchen zu Blättchen. Weiß selbst nicht, wie′ s kam, gar zu wundersam es regnete, tropfte und rauschte, daß ich selber ein Kind, wie Regen und Wind, das Spielen der beiden belauschte. Dann wurde es Nacht, und eh ich′ s gedacht, waren fort, die das Märchen mir schufen. Ihr Mütterlein hatte sie fein hinauf in den Himmel gerufen.
I just saw the wind
I just saw the wind, That heavenly lad, As deep in the wood I lay dreaming: And who came behind With light-footed tread But his brother, the summer rain, streaming. The treetops were swayed To one side and t’other As if the wind played At rocking his bed To the song of his brother Who crooned as he slid From one leaf to another. How it was, there’s no knowing, Too wondrous to say, The raining and dripping and blowing: A child, there I lay, And children were they, Rain and wind, and I harked to their playing. And then the night fell And before I could tell, They were gone, who the magic had woven. The mother so kind Of rain and of wind Had called them back up into heaven.

Translation: Copyright © Timothy Adès

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The Old Violin

Το Παλιό Βιολί

John Polémis (1862-1925)

Το Παλιό Βιολί
Άκουσε τ’ απόκοσμο, το παλιό βιολί μέσα στή νυχτερινή σιγαλιά τού Απρίλη· στό παλιό κουφάρι του μιά ψυχή λαλεί μέ τ’ αχνά κι απάρθενα τής αγάπης χείλη. Καί τ’ αηδόνι τ’ άγρυπνο καί το ζηλευτό ζήλεψε κι εσώπασε κι έσκυψε κι εστάθη, γιά νά δή περήφανο τί πουλί είν’ αυτό πού τά λέει γλυκύτερα τής καρδιάς τά πάθη. Ως κι ο γκιώνης τ’ άχαρο, τό δειλό πουλί, μέ λαχταρ´’ απόκρυφη τά φτερά τινάζει καί σωπαίνει ακούοντας τό παλιό βιολί, γιά να μάθη ο δύστυχος, πώς ν’ αναστενάζη. Τί κι άν τρώη τό ξύλο του τό σαράκι; τί κι άν περνούν αγύριστοι χρόνοι κι άλλοι χρόνοι; Πιό γλυκιά καί πιό όμορφη καί πιό δυνατή η φωνή του γίνεται, όσο αυτό παλιώνει. Είμ’ εγώ τ’ απόκοσμο, τό παλιό βιολί μέσα στή νυχτερινή σιγαλιά τού Απρίλη· στό παλιό κουφάρι μου μιά ψυχή λαλεί μέ τής πρώτης νιότης μου τά δροσάτα χείλη. Τί κι άν τρώη τά σπλάχνα μου τό σαράκι; τί κι άν βαδίζω αγύριστα χρόνο μέ τό χρόνο; Πιό γλυκιά καί πιό όμορφη καί πιό δυνατή γίνεται η αγάπη μου, όσο εγώ παλιώνω.
The Old Violin
Hark to the lonely, the old violin, deep in the April night, silent, unmoving: hark to the soul in its old body, speaking with the pale lips and the pure lips of loving. Even the nightingale, wakeful, acclaimed, stopped and fell silent and looked down with wonder, stooping to see which the songbird might be that sang the heart’s sorrows more sweetly than she. Even the screech-owl, the base bird, the graceless, flutters her wings with a deep-hidden yearning, harks to the old violin, mutely learning how to cry woe, so distressful is she. What if its wood be the food of the worm? Still growing older, as years are departing, year after year that shall never return, sweeter, more beautiful, stronger its singing. I am the lonely, the old violin, deep in the April night, silent, unmoving: hark to the soul in my old body, speaking with the fresh lips of my springtime of living. What if my flesh be the food of the worm? year after year on my course I shall move, still growing older, and never return; sweeter, more beautiful, stronger my love.
Published in ‘In Other Words’ magazine and in Morning Star

Translation: Copyright © Timothy Adès

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Nis Randers

Nis Randers

Otto Ernst (1862-1928)

Nis Randers
Krachen und Heulen und berstende Nacht, Dunkel und Flammen in rasender Jagd - Ein Schrei durch die Brandung! Und brennt der Himmel, so sieht man’s gut: Ein Wrack auf der Sandbank! Noch wiegt es die Flut; Gleich holt sich’s der Abgrund. Nis Randers lugt - und ohne Hast Spricht er: «Da hängt noch ein Mann im Mast; Wir müssen ihn holen.» Da fasst ihn die Mutter: «Du steigst mir nicht ein! Dich will ich behalten, du bleibst mir allein, Ich will’s, deine Mutter! Dein Vater ging unter und Momme, mein Sohn, Drei Jahre verschollen ist Uwe schon, Mein Uwe, mein Uwe!» Nis tritt auf die Brücke. Die Mutter ihm nach! Er weist nach dem Wrack und spricht gemach: «Und seine Mutter?» Nun springt er ins Boot und mit ihm noch sechs: Hohes, hartes Friesengewächs; Schon sausen die Ruder. Boot oben, Boot unten, ein Höllentanz! Nun muss es zerschmettern...! Nein, es blieb ganz!... Wie lange, wie lange?   Mit feurigen Geißeln peitscht das Meer Die menschenfressenden Rosse daher; Sie schnauben und schäumen. Wie hechelnde Hast sie zusammenzwingt! Eins auf den Nacken des andern springt Mit stampfenden Hufen! Drei Wetter zusammen! Nun brennt die Welt! Was da? - Ein Boot, das landwärts hält. - Sie sind es! Sie kommen! – Und Auge und Ohr ins Dunkel gespannt... Still - ruft da nicht einer? - Er schreit’s durch die Hand: «Sagt Mutter, 's ist Uwe!»
Nis Randers
Crashing and howling and thunder-scarred night, Racing and chasing of darkness and light – A cry through the lightning! When heaven is blazing the sighting is good: A wreck on the sandbar! still tossed by the flood: The sea-trench is gaping. Nis Randers he gazes, and speaks out at last: ‘One man is still there, hanging on to the mast; We must hasten to save him.’ His mother has seized him. ‘You’ll not brave the squall: I’ll hold you and keep you, my last one of all. ’Tis the wish of your mother. ‘Your father has perished, and Marty, my son, And my Hewie three years has been missing and gone, My Hewie, my Hewie.’ Nis hastes to the jetty. She follows behind. He points to the wreck and speaks gently his mind: ‘He too has a mother.’ Now he leaps in the boat and six more spring aboard: The brave men of Friesland are stalwart and hard. The oars are soon straining. Boat up and boat down, it’s a caper from hell. Look now, she must shatter! No, all is yet well. How long, O how long?   The sea cracks its whip, flaring onward it forces The fearsome assault of its man-eating horses: They snort and they foam. With curses and urgency herded together, They bound on the backs and the necks of each other: Hooves trample and swarm. Triple lightning! The world is a burning brand! What’s that? It’s a boat – it is heading to land! They are coming, they come! Intent on the darkness, all ears and all eyes… Did somebody call? Through cupped hands he cries: ‘Tell Mother it’s Hewie!’

Translation: Copyright © Timothy Adès

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Kallipáteira – Greek Olympic Poem

ΚΑΛΛΙΠÁΤΕΙΡΑ

Lórentsos Mavílis (1860-1912)

ΚΑΛΛΙΠÁΤΕΙΡΑ
“Αρχόντισσα Ροδίτισσα, πώς μπήκες; Γυναίκες διώχνει μια συνήθεια αρχαία εδώθε.” “ Έχω έν’ ανίψι, τον Ευκλέα, πατέρα, γιο, τρί’ αδέρφι’ Ολυμπιονίκες. Να μ’αφήσετε πρέπει, Ελλανοδίκες, κ’ εγώ να καμαρώσω μές στα ωραία κορμιά, που για τ’ αγρίλι του Ηρακλέα παλεύουν, θιαμαστές ψυχές αντρίκες! Με τες άλλες γυναίκες δεν είμ’ όμοια· στον αιώνα το σόι μου θα φαντάζει με της αντρειάς τ’ αμάραντα προνόμια. με μάλαμα γραμμένος το δοξάζει, σ’ αστραφτερό κατεβατό μαρμάρου ύμνος χρυσός τ’ αθάνατου Πινδάρου!”
Kallipáteira – Greek Olympic Poem
“O high–born Rhodian lady, how came you to our door? For women are debarred from here by usages of yore.” “My nephew’s name is Eukles; my father and my son, and my three brothers, all of these Olympic glory won. Judges of Greece, their merits bespeak my right to pass, proud of their splendid bodies, these that clinch for crowns of Herakles, sprigs of wild olive: spirits manly and marvellous. I am no common woman. My brave men shine in story: they earned what cannot fade. Writ gold on sparkling marble their golden hymn of glory, that deathless Pindar made.”
My translation was beautifully recited by the Shakespearean actress, Lucy Tregear, at the Greek Olympic poetry evening in the British Library, 28 May 2012, staged by Poet in the City. The poem was introduced by Dr Armand d’Angour. Kallipateira’s father Diagoras of Rhodes won the boxing at the 79th Olympic Games in 464 BC. The island’s airport is named after him. He was also Circuit Victor — ‘periodonikês’ — winning at the Pythian, Isthmian and Nemean Games (the Grand Slam of four majors), and triumphed repeatedly at other Games all over Greece. He was regarded as a model of athletic prowess. Pindar’s great poem on his victory, Olympian Ode 7, was inscribed in gold letters on marble at the Temple of Athena at Lindos, Rhodes. His son Damagetos won the Olympic pankration (a ferocious combination of boxing and wrestling) in 452 and 448, and his son Akousilaos won the boxing in 448, when the two young men carried their father shoulder–high: someone told him to expire at the supreme moment, and he took the hint. A third son, Dorieus, won the pankration in 432, 428 and 424, and a total of 22 victories in the Pythian, Isthmian and Nemean Games. At the Pythian, no–one would face him. Later, two grandsons won the Olympic boxing. A painting by James Barry shows the two sons carrying the old man, with Kallipateira beside them. It can be seen at http://www.bbc.co.uk/arts/yourpaintings/paintings/crowning-the-victors-at-olympia-218502. Women were not admitted to the ancient Olympics, except for one, the priestess of Demeter. After Diagoras’ death, Kallipateira became the trainer of her son Peisirrhodos, entering the stadium in disguise. Overjoyed at his victory, she leapt over a barrier into the athletes’ enclosure, and was detected. Any other woman would have been in trouble: she was treated with great respect! Women were not allowed to compete in the first modern Olympics, at Athens in 1896. Mavílis’ poem appeared in 1898. Of the 2,000 competitors at the first London Olympics in 1908, thirty–seven were women. Lórentsos Mavílis, born in Ithaca, was a poet, multilingual translator, soldier, chess–player, and member of parliament. He fell in battle at Mount Driskos, near Ioannina. Thanks are due to the editors of Classical Association News, where this poem first appeared.

Translation: Copyright © Timothy Adès

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Christmas, Resigned

NOËL RÉSIGNÉ

Jules Laforgue (1860-87)

NOËL RÉSIGNÉ
Noël! Noël! toujours, sur mes livres, je rêve. Que de jours ont passé depuis l’autre Noël! Comme toute douleur au cœur de l’homme est brève. Non, je ne pleure plus, cloches, à votre appel. Noël! triste Noël! En vain la bonne chère S’étale sous le gaz! il pleut, le ciel est noir, Et dans les flaques d’eau tremblent les réverbères Que tourmente le vent, un vent de désespoir. Dans la boue et la pluie on palpe des oranges, Restaurants et cafés s’emplissent dans le bruit, Qui songe à l’éternel, à l’histoire, à nos fanges? Chacun veut se gaver et rire cette nuit! Manger, rire, chanter, — pourtant tout est mystère - Dans quel but venons-nous sur ce vieux monde, et d’où? Sommes-nous seuls? Pourquoi le Mal? Pourquoi la Terre? Pourquoi l’éternité stupide? Pourquoi tout? Mais non! mais non, qu’importe à la mêlée humaine? L’illusion nous tient! — et nous mène à son port. Et Paris qui mourra faisant trêve à sa peine Vers les cieux éternels braille un Noël encor.
Christmas, Resigned
Nowell! Nowell! At my books, I am dreaming on! How many days have passed since the last Nowell! How brief is every grief in the heart of man. No, I no longer weep at the tolling bell. Christmas! Sad Christmas! The sky is rainy and black. Good cheer spreads large to no purpose under the gas. Reflected in puddles of water, the street-lamps shake, Abused by the wind, a wind of hopelessness. In the mud and the rain there are oranges to squeeze. Who thinks of our filth, of history and the hereafter? Cafés and restaurants wrap themselves up in the noise. What people want tonight is guzzling and laughter. Eat, laugh, and sing – yet all is in mystery furled… From where, and for what, do we come to this old round ball? Are we alone? Why Evil? Why the world? Why idiotic Eternity? Why all? But no, no! What is all that to the tumult of man? We are gripped by illusion, it brings us safe to its shore, And Paris the moribund, calling a truce with her pain, Shouts into the ageless skies one Christmas more.

Translation: Copyright © Timothy Adès

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LULLABY

ΝΑΝΟΥΡΙΣΜΑ

Lórentsos Mavílis (1860-1912)

ΝΑΝΟΥΡΙΣΜΑ
Άρρωστε, ιδές, λαμπρά σβύνεται η μέρα, τριανταφυλλί προμήνυμα του Χάρου· τόση γαλήνη στα γεμάτα χάρου, που μοίρα σου χαρίζει ανοιχτοχέρα. Και στο ναό που άσπρος φαντάζει πέρα - σα να ‘γιναν κολώνες του μαρμάρου οι αρμονίες ενός ύμνου του Πινδάρου πήζοντας ξάφνου μες στον άγιο αγέρα - Έμπα κοίμου και ο ύπνος θα σε γιάνει. Θα ονειρευτείς την ομορφιά την ίδια, που με τ’ αρχαίο τραγούδι θα γλυκάνει της καρδιάς σου τα θλιβερά ξεσκλίδια· “Τον αγαπά ο Θεός, πεθνήσκει νέος. Μην ξυπνάς· είμαι ο θάνατος ο ωραίος.”
LULLABY
Sufferer, see: the bright day goes, Portent of passing, like a rose. Pass, full of joy, to the repose That open-handed Fate bestows. In the white temple shining there – A Pindar hymn, whose harmony Turned into marble columnry, Suddenly formed in sacred air – Enter, and rest; and sleep shall heal. Dream then of beauty, set apart, That sweetens with this ancient song The wretched tatters of your heart: ‘Don’t wake. The one God loves, dies young: And I am Death, the beautiful.’

Translation: Copyright © Timothy Adès

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LETHE

ΛΗΘΗ

Lórentsos Mavílis (1860-1912)

ΛΗΘΗ
Καλότυχοι οι νεκροί, που λησμονάνε την πίκρια της ζωής. Όντας βυθήσει ο ήλιος και το σούρουπο ακλουθήσει, μήν τους κλαϊς, ο καημός σου όσος και να ‘ναι! Τέτοιαν ώρα οι ψυχές διψούν και πάνε στης Λησμονιάς την κρουσταλλένια βρύση· μα βούρκος το νεράκι θα μαυρίσει, ά στάξει γι’ αυτές δάκρυ, όθε αγαπάνε. Κι άν πιούν θολό νερό, ξαναθυμούνται, διαβαίνοντας λιβάδι’ απ’ ασφοδείλι, πόνους παλιούς, που μέσα τους κοιμούνται. Α δέ μπορείς παρά να κλαϊς το δείλι, τους ζωντανούς τα μάτια σου άς θρηνήσουν· θέλουν, μα δέ βολεί, να λησμονήσουν.
LETHE
The dead are lucky: they forget Life’s bitterness. Weep not for these, However sad your memories, At twilight, when the sun has set, And souls go thirsting to their spring: For if their loved ones shed a tear, Oblivion’s fountains crystal-clear Suffer a horrid blackening. From tainted water, they recall, Who move through fields of asphodel, Sorrows that in them sleeping dwell. If you must weep when shadows fall, Then for the living weep your fill, For they cannot forget at all.
Published in Classical Association News

Translation: Copyright © Timothy Adès

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For a Menu

Para un menú

Manuel Gutiérrez Nájera (1859-95)

Para un menú
Las novias pasadas son copas vacías; en ellas pusimos un poco de amor; el néctar tomamos... huyeron los días... ¡Traed otras copas con nuevo licor! Champán son las rubias de cutis de azalia; Borgoña los labios de vivo carmín; los ojos obscuros son vino de Italia, los verdes y claros son vino del Rhin. Las bocas de grana son húmedas fresas; las negras pupilas escancian café; son ojos azules las llamas traviesas, que trémulas corren como almas del té. La copa se apura, la dicha se agota; de un sorbo tomamos mujer y licor... Dejemos las copas... ¡Si queda una gota, que beba el lacayo las heces de amor!
For a Menu
Each lass in our past is one more empty glass: We poured in a measure of love; We drain down the nectar, we let the days pass... Bring on others! New savours we’ll prove. Champagne are the blondes of azalea sheen, Crimson lips are a Burgundy wine; Dark eyes are Italian, grand Hippocrene, Pale green are the taste of the Rhine. Red mouths are fresh strawberries; coffee conspires From eyes black as night to flow free; Blue eyes are the wayward, the frolicsome fires, The shimmering spirit of tea. The goblet runs dry and good fortune runs down. Wine and women! One draught is enough. Farewell to our cups! Should a droplet remain, Leave to lackeys the leavings of love!
https://www.youtube.com/watch?v=B0n0jEhp4JI https://www.youtube.com/watch?v=EIW_2Oe6m0Y

Translation: Copyright © Timothy Adès

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