The Boy on the Moor

Der Knabe im Moor

Annette von Droste-Hülshoff (1797-1848)

Der Knabe im Moor
O schaurig ist's übers Moor zu gehn, Wenn es wimmelt vom Heiderauche, Sich wie Phantome die Dünste drehn Und die Ranke häkelt am Strauche, Unter jedem Tritte ein Quellchen springt, Wenn aus der Spalte es zischt und singt! – O schaurig ist's übers Moor zu gehn, Wenn das Röhricht knistert im Hauche! Fest hält die Fibel das zitternde Kind Und rennt, als ob man es jage; Hohl über die Fläche sauset der Wind – Was raschelt drüben am Hage? Das ist der gespenstische Gräberknecht, Der dem Meister die besten Torfe verzecht; Hu, hu, es bricht wie ein irres Rind! Hinducket das Knäblein zage. Vom Ufer starret Gestumpf hervor, Unheimlich nicket die Föhre, Der Knabe rennt, gespannt das Ohr, Durch Riesenhalme wie Speere; Und wie es rieselt und knittert darin! Das ist die unselige Spinnerin, Das ist die gebannte Spinnenlenor', Die den Haspel dreht im Geröhre! Voran, voran! Nur immer im Lauf, Voran, als woll es ihn holen! Vor seinem Fuße brodelt es auf, Es pfeift ihm unter den Sohlen, Wie eine gespenstige Melodei; Das ist der Geigemann ungetreu, Das ist der diebische Fiedler Knauf, Der den Hochzeitheller gestohlen! Da birst das Moor, ein Seufzer geht Hervor aus der klaffenden Höhle; Weh, weh, da ruft die verdammte Margret: „Ho, ho, meine arme Seele!“ Der Knabe springt wie ein wundes Reh; Wär nicht Schutzengel in seiner Näh, Seine bleichenden Knöchelchen fände spät Ein Gräber im Moorgeschwele. Da mählich gründet der Boden sich, Und drüben, neben der Weide, Die Lampe flimmert so heimatlich, Der Knabe steht an der Scheide. Tief atmet er auf, zum Moor zurück Noch immer wirft er den scheuen Blick: Ja, im Geröhre war's fürchterlich, O schaurig war's in der Heide.
The Boy on the Moor
O frightful to cross is the bog on the heath When it’s foul with the moorland’s breathing, The mists are swirling like spectres of death And the tendrils of thickets come creeping, When at every footstep a rivulet springs As out of the fissure it surges and sings And the reeds in the gusts are creaking! He is clutching his schoolbook, the shuddering child, As if hunted down, he is hustling. The wind on the plain whistles hollow and wild! What is that in the hedgerows rustling? O that is the spadesman ghastly-grey Who drinks the master’s fine peat away: And it sounds like a furious bull’s rampage To the cowering, terrified stripling. The boy is running, he pricks up his ears! Stumps loom at the fringe, decaying; He is deep among rushes tall as spears, The pine-tree is eerily swaying. There’s trickling and crackling, loud to hear, And the lass who must spin, the poor Lenore, Bewitched and hapless for evermore, Her bobbin in the reeds rotating! Onward, onward he races and runs, As if it is coming to catch him! At the fall of his foot it bubbles and brims, Beneath his soles it is whistling. It is like the sound of a song of death: It is Knauf, the fiddler of broken faith, It is he who stole it, the faithless thief, Stole the penny away from the wedding. The bog gives way and the ground has burst With horrible groaning asunder! Wail woe, wail woe, ‘tis Mad Meg the Accursed, Crying out, ‘My poor soul, you shall founder!’ The boy leaps up like a wounded deer: If his guardian angel were not near, His bleaching bones in the mouldering mire The spadesman at last would encounter. But slowly now by the willow tree The ground begins to harden. The lamplight twinkles so cosily, And the boy stands safe on the margin. He is breathing deep, it no longer appals, Yet his glance on the moorland backward falls: O how frightful it was, with dread he recalls, The heath and its quaking midden!

Translation: Copyright © Timothy Adès

More poems by Annette von Droste-Hülshoff...

When Summer Quits

Der scheidende Sommer

Heinrich Heine (1797-1856)

Der scheidende Sommer
Das gelbe Laub erzittert, Es fallen die Blätter herab; Ach, alles was hold und lieblich, Verwelkt und sinkt ins Grab. Die Gipfel des Waldes umflimmert Ein schmerzlicher Sonnenschein; Das mögen die letzten Küsse des scheidenden Sommers sein. Mir ist, als müßt ich weinen Aus tiefstem Herzensgrund; Dies Bild erinnert mich wieder An unsere Abschiedsstund'. Ich mußte von dir scheiden, Und wußte, du stürbest bald; Ich war der scheidende Sommer, Du warst der sterbende Wald.
When Summer Quits
The yellow foliage quivers, leaf upon leaf is shed; all that is bright and lovely wilts to its earthly bed. A sorrowful sunshine flickers on the woodland’s tallest tips; these may be the final kisses of summer, before he quits. It seems I have to be weeping from the inmost depths of my heart; the sight of this reminds me of the hour when we had to part. I was quitting you, as I had to, you were dying, I knew you would; I was the quitting summer, you were the dying wood.

Translation: Copyright © Timothy Adès

More poems by Heinrich Heine...

Hortense, Donkey, Thistles

Hortense

Heinrich Heine (1797-1856)

Hortense
In meinen Tagesträumen, In meinen nächtlichen Wachen, Stets klingt mir in der Seele Dein allerliebstes Lachen. - Denkst du noch Montmorencys, Wie du auf dem Esel rittest, Und von dem hohen Sattel Hinab in die Disteln glittest ? - Der Esel blieb ruhig stehen, Fing an die Disteln zu fressen - Dein allerliebstes Lachen Werde ich nie vergessen.
Hortense, Donkey, Thistles
In all my dreams diurnal, In waking hours nocturnal, Your darling laughter sparkles And echoes in my cockles. Remember Montmorency, When you were on a donkey and from the lofty saddle you slid into the thistles? The animal stood tranquil and started eating thistles. I’ll hear your darling laughter for evermore hereafter.

Translation: Copyright © Timothy Adès

More poems by Heinrich Heine...

Homecoming

Heimkehr

Heinrich Heine (1797-1856)

Date 1827
Heimkehr
Mein Herz, mein Herz ist traurig, doch lustig leuchtet der Mai; ich stehe, gelehnt an der Linde, hoch auf der alten Bastei. Da drunten fließt der blaue Stadtgraben in stiller Ruh; ein Knabe fährt im Kahne, und angelt und pfeift dazu. Jenseits erheben sich freundlich, in winziger, bunter Gestalt Lusthäuser, und Gärten, und Menschen, und Ochsen, und Wiesen, und Wald. Die Mägde bleichen Wäsche, und springen im Gras herum: das Mühlrad stäubt Diamanten, ich höre sein fernes Gesumm. Am alten grauen Turme ein Schilderhäuschen steht; ein rotgeröckter Bursche dort auf und nieder geht. Er spielt mit seiner Flinte, die funkelt im Sonnenrot, er präsentiert und schultert - ich wollt, er schösse mich tot.
Homecoming
My heart, how my heart is grieving, Yet May is merry and bright; I lean against the lime-tree On the ancient rampart’s height. Below me, the moat of the city Is rippling in calm repose; A boy is out in a boat there, Fishing and whistling he goes. Beyond are colourful, friendly, Diminutive entities: Pavilions, gardens, and people, Cattle and meadows and trees. The lasses are blanching the laundry And frolicking on the green: I hear the millwheel humming, The spindrift a diamond sheen. And there’s the old grey tower With a sentry-box below: A lad in a scarlet tunic Is marching to and fro. He’s having fun with his musket That gleams in the sunset’s red: Present – arms! Shoulder – arms! I wish he would shoot me dead.

Translation: Copyright © Timothy Adès

More poems by Heinrich Heine...

Your Immorality

Wie schändlich du gehandelt

Heinrich Heine (1797-1856)

Wie schändlich du gehandelt
Wie schändlich du gehandelt, Ich hab es den Menschen verhehlet, Und bin hinausgefahren aufs Meer, Und hab es den Fischen erzählet. Ich laß dir den guten Namen Nur auf dem festen Lande; Aber im ganzen Ozean Weiß man von deiner Schande.
Your Immorality
Your immorality! From humankind I withhold it. I went far off and told it To the fishes, out at sea. Only on firm dry ground Do I leave you your good name: But in the oceans, the wide world round, They know about your shame. ...and by Emma Lazarus (1849 -1887)... I told not man, nor woman How ill you dealt with me; I came abroad and published it To the fishes in the sea. Only upon terra firma I have left you your good name; But over all the ocean Every creature knows thy shame.

Translation: Copyright © Timothy Adès

More poems by Heinrich Heine...

Somno videbar: I dreamt that I dwelt

I dreamt that I dwelt in marble halls

Alfred Bunn (1796-1860)

From Michael Balfe's opera, The Bohemian Girl. My Latin...
I dreamt that I dwelt in marble halls
I dreamt that I dwelt in marble halls, With vassals and serfs at my side, And of all who assembled within those walls, That I was the hope and the pride. I had riches too great to count, could boast of a high ancestral name; But I also dreamt, which pleased me most, That you lov'd me still the same That you lov'd me, you lov'd me still the same, That you lov'd me, you lov'd me still the same. I dreamt that suitors sought my hand; That knights upon bended knee, And with vows no maiden heart could withstand They pledg'd their faith to me; And I dreamt that one of that noble host Came forth my hand to claim. But I also dreamt, which pleased me most, That you lov'd me still the same That you lov'd me, you lov'd me still the same, That you lov'd me, you lov'd me still the same.
Somno videbar: I dreamt that I dwelt
somno videbar marmoris aedibus felix: clientes turbaque oboediens servilis adstabant beatae; quotque homines retineret aula, cunctis nitebam spes ego gloriae. gazas tenebam vix numerabiles, illustre jactabam superba stirpe ab avis atavisque nomen. quin visa imago gratior omnibus: dilecta semper, semper amabilis, te semper oblectans amantem, ut prius, haud aliter videbar. somno videbar fota petentibus: flexo premebat multus eques genu. virgo repugnavisse tantam nulla proci potuisset ignem. somno videtur praeterea meo unus catervae nobilis ingredi, qui motus ardenti calore ducere me voluit maritam. quin visa imago gratior omnibus: dilecta semper, semper amabilis, te semper oblectans amantem, ut prius, haud aliter videbar.

Translation: Copyright © Timothy Adès

More poems by Alfred Bunn...

To Forty Winks - by Adonais

To Sleep

John Keats (1795-1821)

My lipogram, no letter E
To Sleep
yes
To Forty Winks - by Adonais
Aromatist of still midnight, Closing with digits kind and good Our gloom-fond orbs, cut off from light, Snug in oblivion’s holy hood: O forty winks! Dormition! Cull My willing gig-lamps as I sing, Till at my ‘Schluss!’ your opiums lull, Charitably, my sluggarding. Thwart now (or this past day will flood My pillow, spawning, sorrowful) – Thwart anxious Conscious Thought, that lords Its night-might, burrowing, black as coal; Turn your swift Chubb in my smooth wards: Shut tight my Dropbox, hush my soul.

Translation: Copyright © Timothy Adès

More poems by John Keats...

O soft embalmer of the still midnight,
    Shutting, with careful fingers and benign,
Our gloom-pleas’d eyes, embower’d from the light,
    Enshaded in forgetfulness divine:
O soothest Sleep! if so it please thee, close
    In midst of this thine hymn my willing eyes,
Or wait the “Amen,” ere thy poppy throws
    Around my bed its lulling charities.
Then save me, or the passed day will shine
Upon my pillow, breeding many woes,—
    Save me from curious Conscience, that still lords
Its strength for darkness, burrowing like a mole;
    Turn the key deftly in the oiled wards,
And seal the hushed Casket of my Soul.
Aromatist of still midnight,
Closing with digits kind and good
Our gloom-fond orbs, cut off from light,
Snug in oblivion’s holy hood:
O forty winks! Dormition! Cull
My willing gig-lamps as I sing,
Till at my ‘Schluss!’ your opiums lull,
Charitably, my sluggarding.
Thwart now (or this past day will flood
My pillow, spawning, sorrowful) –
Thwart anxious Conscious Thought, that lords
Its night-might, burrowing, black as coal;
Turn your swift Chubb in my smooth wards:
Shut tight my Dropbox, hush my soul.
Translation: Copyright © Timothy Adès

Au Rossignol

Ode to a Nightingale

John Keats (1795-1821)

Let’s see whether he needed the letter E. First verse by HARRY GUEST; TIMOTHY ADÈS wrote the rest.
Ode to a Nightingale
My heart aches, and a drowsy numbness pains          My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains          One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot,          But being too happy in thine happiness, —                 That thou, light-winged Dryad of the trees                         In some melodious plot          Of beechen green, and shadows numberless,                 Singest of summer in full-throated ease. O, for a draught of vintage! that hath been          Cool'd a long age in the deep-delved earth, Tasting of Flora and the country green,          Dance, and Provençal song, and sunburnt mirth! O for a beaker full of the warm South,          Full of the true, the blushful Hippocrene,                 With beaded bubbles winking at the brim,                         And purple-stained mouth;          That I might drink, and leave the world unseen,                 And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget          What thou among the leaves hast never known, The weariness, the fever, and the fret          Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs,          Where youth grows pale, and spectre-thin, and dies;                 Where but to think is to be full of sorrow                         And leaden-eyed despairs,          Where Beauty cannot keep her lustrous eyes,                 Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee,          Not charioted by Bacchus and his pards, But on the viewless wings of Poesy,          Though the dull brain perplexes and retards: Already with thee! tender is the night,          And haply the Queen-Moon is on her throne,                 Cluster'd around by all her starry Fays;                         But here there is no light,          Save what from heaven is with the breezes blown                 Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet,          Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet          Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild;          White hawthorn, and the pastoral eglantine;                 Fast fading violets cover'd up in leaves;                         And mid-May's eldest child,          The coming musk-rose, full of dewy wine,                 The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time          I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme,          To take into the air my quiet breath;                 Now more than ever seems it rich to die,          To cease upon the midnight with no pain,                 While thou art pouring forth thy soul abroad                         In such an ecstasy!          Still wouldst thou sing, and I have ears in vain —                    To thy high requiem become a sod. Thou wast not born for death, immortal Bird!          No hungry generations tread thee down; The voice I hear this passing night was heard          In ancient days by emperor and clown: Perhaps the self-same song that found a path          Through the sad heart of Ruth, when, sick for home,                 She stood in tears amid the alien corn;                         The same that oft-times hath          Charm'd magic casements, opening on the foam                 Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell          To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well          As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades          Past the near meadows, over the still stream,                 Up the hill-side; and now 'tis buried deep                         In the next valley-glades:          Was it a vision, or a waking dream?                 Fled is that music :— Do I wake or sleep?
Au Rossignol
My mind hurts and a drowsy poison pains My soul as though of opium I had drunk Or, quaffing a dull drug down to its drains An hour ago, to Pluto’s lands had sunk. ‘Tis not through craving for thy happy lot But finding too much joy in all thy bliss – O thou, light-flying dryad of this wood, In a harmonious plot Of mossy boughs which shift as shadows kiss. Thy full throat sings: May harbours all that’s good. O, for a draught of vino! that has lain Cooling for months a long way down in ground, Tasting of Flora’s country, lush with rain, Occitan song, and sunlit dancing round! O for a glassful of that sunny South, Full of Parnassian blushful vrai grand cru, With strings of air-drops bubbling at its brim, Staining maroon my mouth; That I might drink, and slip away with you, All lost to all, in wildwoods dark and dim. I’d slip away, dissolving. Soon forgot, What you among your arbours had not known, Our worry and our quinsy and our hot Flush of folk sitting for a mutual groan, Our palsy, shaking sad gray hairs, not many, Our youth grown pallid, dying, phantom–slight: For but to think is to drink draughts of sorrow, Look black as antimony; Girls can’t maintain two lustrous orbs of sight; If Cupid sighs, it’s only till tomorrow. Away! away! for I will fly to you, Not riding out with Bacchus’ jaguars, But (blind-man’s buff!) on lyric wings, although My brain is numb, and jolts and jams and jars. Look, now I’m with you! It’s a kind, soft night; With luck, Milady Moon is holding court, And, round about, a throng of starry Fays; No, it’s too dark: no light But what from skyward airily is brought Through branchy gloom and winding mossy ways. I cannot scan what’s budding at my foot, Nor what soft balsam hangs upon your boughs, But in this fragrant dark, I try to moot Such aromatics as this month allows To grass, to shrub, to fruiting blossom wild; Sunk in its fronds, fast fading violot; Hawthorn, triantaphyll dawn–drunk with musk, May’s coming first-born child, And pastoral non-hybrid, which is not A murmurous haunt of gnats at dog–star’s dusk. Dark auscultation! and again! for oft I am half amorous of R.I.P., In many musing stanzas call him, soft, To lift in air my faint vitality: This opportunity I shouldn’t miss, To pass away at midnight without pain, Whilst thou art pouring forth thy soul abroad In such high flights of bliss! Still wouldst thou sing, and I’d auscult in vain To thy contakion, at last a clod. Thou wast not born to croak, immortal Bird! No hungry propagations grind you down; That song I track this passing night occurr’d In days long past to tyrant, king and clown: On top of that — who knows? — it found a path To Ruth, athirst for Moab’s distant turf, Who stood distraught amid th’ un-British corn; And on occasion hath Charm'd magic miradors that look on rough Hazardous floods, in goblin lands forlorn. Forlorn! That actual word purports to toll, To toil yours truly back to John from you! Addio! This fancy tricks us nicht so wohl As what — fallacious fay! — it’s thought to do. Addio! Addio! Thy soulful singing faints Away, past paddocks and a placid brook, Climbing a hill; and now it sinks down, boring Into low-lying haunts: A vision? Or a waking think–and–look? All’s tacit: — Am I vigilant, or snoring?
Said at Poet in the City Drop–In, Daunts Piccadilly Bookshop, March 2015

Translation: Copyright © Timothy Adès

More poems by John Keats...

On First Looking into Chapman's Translation

On First Looking Into Chapman’s Homer

John Keats (1795-1821)

My lipogram, no letter E
On First Looking Into Chapman’s Homer
Much have I travell'd in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star'd at the Pacific—and all his men Look'd at each other with a wild surmise— Silent, upon a peak in Darien.
On First Looking into Chapman's Translation
I got around, saw lots of lands of gold, Good kingdoms, many a top–class duchy too, And sundown islands (I was shooting through) Which bards as loan–stock from Apollo hold. On various occasions I was told About an old blind highbrow’s Timbuctoo: But always was as ignorant as you, Until Dan Chapman said it loud and bold. That did it! Say you watch a midnight sky: An unknown rock floats up into your bag! Or stout Balboa’s sharp rapacity Scans your Pacific, plants a Spanish flag, His troops agog with curiosity, Dumbstruck upon a Panamanian crag.
Said at Poet in the City Drop–in, Daunts Bookshop, Piccadilly, London, W1. Contributed to Poetry Atlas website.

Translation: Copyright © Timothy Adès

More poems by John Keats...

Inspiration on Britain's Topmost Summit

Sonnet. Written Upon The Top Of Ben Nevis

John Keats (1795-1821)

Let's see whether he needed the letter E.
Sonnet. Written Upon The Top Of Ben Nevis
Read me a lesson, Muse, and speak it loud Upon the top of Nevis, blind in mist! I look into the chasms, and a shroud Vapourous doth hide them, -- just so much I wist Mankind do know of hell; I look o'erhead, And there is sullen mist, -- even so much Mankind can tell of heaven; mist is spread Before the earth, beneath me, -- even such, Even so vague is man's sight of himself! Here are the craggy stones beneath my feet,-- Thus much I know that, a poor witless elf, I tread on them, -- that all my eye doth meet Is mist and crag, not only on this height, But in the world of thought and mental might!
Inspiration on Britain's Topmost Summit
I ask for words, Parnassian! - said out loud on Scotia's topmost summit, blind in mist! I look into its chasms, which a shroud of vapour bars from sight; so much I wist mankind doth know of Tartarus; and this, upwards, is dismal mist - and that's how much mankind can know of paradisal bliss; downwards, mist rolls across this world: just such, so indistinct, is man's own mirror-study. On craggy rocks aloft my right foot stands -- This much I know, that, poor unwitting noddy, I am on rocks, -- and what my sight commands Is mist and crag, not only on this hill, But in our world of brains and thoughts and skill.

Translation: Copyright © Timothy Adès

More poems by John Keats...